نوع فایل : pdf
زبان : انگلیسی
تعداد صفحات: 20
نقد نمایشنامه The Subject Was Roses by Frank D. Gilroy
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نقد نمایشنامه The Subject Was Roses by Frank D. Gilroy
نقد نمایشنامه The Subject Was Roses by Frank D. Gilroy
Frank Lloyd Wright
اختصاصی از یاری فایل Frank Lloyd Wright دانلود با لینک مستقیم و پر سرعت .
این کتاب پی دی اف توضیح مفصل و کاملی درباره رایت آثارش به همراه پلان وسایر مدارک فنی آنها در 100 صفحه با تصاویر فراوان می دهد
Frank Lloyd Wright
این کتاب پی دی اف توضیح مفصل و کاملی درباره رایت آثارش به همراه پلان وسایر مدارک فنی آنها در 100 صفحه با تصاویر فراوان می دهدFrank Lloyd Wright
SCULPTURALE ARCHITECTUUR: FRANK GEHRY
اختصاصی از یاری فایل SCULPTURALE ARCHITECTUUR: FRANK GEHRY دانلود با لینک مستقیم و پر سرعت .
SCULPTURALE ARCHITECTUUR: FRANK GEHRY
فایل pdf در 91 صفحه به معرفی فرانک گری وآثارش می پردازد و شامل قسمتهای زیر است
Inleiding ........................................................................................... 1
2_ Frank Gehry...................................................................................... 3
2_1 Het architecturale ............................................................................................. 3
2_1_1 Het begin ....................................................................................................... 3
2_1_2 De ‘LA School of Architects’ .............................................................................. 4
2_1_3 De sprong naar Europa .................................................................................... 7
2_1_4 Interieur ........................................................................................................ 8
2_2 Het sculpturale ................................................................................................ 11
2_2_1 Het sculpturale volgens Gehry......................................................................... 11
2_2_2 Het sculpturale in Gehry’s ontwerpproces ......................................................... 15
2_2_3 Het sculpturale in Gehry’s architectuur ............................................................ 21
3_ Toppling Ladder with Spilling Paint ................................................ 23
3_1 De sculptuur .................................................................................................... 23
3_2 De samenwerking ........................................................................................... 25
3_2_1 Oldenburg .................................................................................................... 25
3_2_2 Oldenburg en van Bruggen ............................................................................. 27
3_2_3 Oldenburg, van Bruggen en Gehry .................................................................. 28
3_3 Sculptuur als additief ..................................................................................... 30
4_ Chiat/Day/Mojo Corporate Headquarters ....................................... 32
4_1 Het gebouw...................................................................................................... 32
4_2 De samenwerking ........................................................................................... 36
4_2_1 Oldenburg, van Bruggen en Gehry................................................................... 36
4_2_2 Architectuur versus sculptuur.......................................................................... 38
4_3 Postmodern of Pop?........................................................................................ 42
4_3_1 Het Postmodernisme en de en-formaliteit van de LA School ................................ 43
4_3_2 Popart.......................................................................................................... 47
4_3_3 Poparchitectuur ............................................................................................. 51
4_3_4 Conclusie? .................................................................................................... 55
5_ Fish Sculpure .................................................................................. 57
5_1 De vis................................................................................................................ 57
5_2 De evolutie....................................................................................................... 59
5_3 De betekenis.................................................................................................... 61
6_ Experience Music Project ................................................................ 64
6_1 Het gebouw...................................................................................................... 64
6_2 Het sculpturale effect ..................................................................................... 69
6_3 De invloed van Richard Serra ....................................................................... 72
6_3_1 Serra en Gehry ............................................................................................. 72
6_3_2 Gehry’s tektonische obscuriteit ....................................................................... 74
7_ Besluit ............................................................................................ 80
8_ Bibliografie ..................................................................................... 83
8_1 Boeken en tijdschriftartikels.......................................................................... 83
8_2 Internet ............................................................................................................ 87
Inleiding ........................................................................................... 1
2_ Frank Gehry...................................................................................... 3
2_1 Het architecturale ............................................................................................. 3
2_1_1 Het begin ....................................................................................................... 3
2_1_2 De ‘LA School of Architects’ .............................................................................. 4
2_1_3 De sprong naar Europa .................................................................................... 7
2_1_4 Interieur ........................................................................................................ 8
2_2 Het sculpturale ................................................................................................ 11
2_2_1 Het sculpturale volgens Gehry......................................................................... 11
2_2_2 Het sculpturale in Gehry’s ontwerpproces ......................................................... 15
2_2_3 Het sculpturale in Gehry’s architectuur ............................................................ 21
3_ Toppling Ladder with Spilling Paint ................................................ 23
3_1 De sculptuur .................................................................................................... 23
3_2 De samenwerking ........................................................................................... 25
3_2_1 Oldenburg .................................................................................................... 25
3_2_2 Oldenburg en van Bruggen ............................................................................. 27
3_2_3 Oldenburg, van Bruggen en Gehry .................................................................. 28
3_3 Sculptuur als additief ..................................................................................... 30
4_ Chiat/Day/Mojo Corporate Headquarters ....................................... 32
4_1 Het gebouw...................................................................................................... 32
4_2 De samenwerking ........................................................................................... 36
4_2_1 Oldenburg, van Bruggen en Gehry................................................................... 36
4_2_2 Architectuur versus sculptuur.......................................................................... 38
4_3 Postmodern of Pop?........................................................................................ 42
4_3_1 Het Postmodernisme en de en-formaliteit van de LA School ................................ 43
4_3_2 Popart.......................................................................................................... 47
4_3_3 Poparchitectuur ............................................................................................. 51
4_3_4 Conclusie? .................................................................................................... 55
5_ Fish Sculpure .................................................................................. 57
5_1 De vis................................................................................................................ 57
5_2 De evolutie....................................................................................................... 59
5_3 De betekenis.................................................................................................... 61
6_ Experience Music Project ................................................................ 64
6_1 Het gebouw...................................................................................................... 64
6_2 Het sculpturale effect ..................................................................................... 69
6_3 De invloed van Richard Serra ....................................................................... 72
6_3_1 Serra en Gehry ............................................................................................. 72
6_3_2 Gehry’s tektonische obscuriteit ....................................................................... 74
7_ Besluit ............................................................................................ 80
8_ Bibliografie ..................................................................................... 83
8_1 Boeken en tijdschriftartikels.......................................................................... 83
8_2 Internet ............................................................................................................ 87
SCULPTURALE ARCHITECTUUR: FRANK GEHRY