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قسمتی از محتوای متن Word
تعداد صفحات : 17 صفحه
Social Concerns Loving In Loving (1980) the first significant man in Bettina's life is her father, a celebrated and egotistical author.
Although Bettina's life appears to be all that is glamorous and desirable, it is in fact hollow and destructive, a perfect example of the seductive quality of fame and wealth.
Bettina lives in a jeweled cage, pampered and protected, but also used, as her entire life is geared towards pleasing her father at the expense of her own personality.
Bettina's father dies, and she is comforted by her father's friend Ivo Stewart, and then unfolds another fantasy story in the Cinderella mode.
This cultured and much older man offers Bettina a more generous love than her father did, but it is still paternalism.
Ivo allows her to explore her love of theater while maintaining the gilded cage of wealth and nurturing.
For example, Bettina gets a job in an experimental theater but is picked up every night after the show by her husband's limousine.
The best thing Ivo does for Bettina is force her to leave him, again like a father who observes that the beloved young woman has grown up and is ready to fly the cage.
Bettina precipitates this by falling into an affair with a very attractive actor, Anthony Pierce, but even before Bettina realizes it, Steel signals to the reader that this young man spouts the dangerous and egotistical charm of Bettina's father.
So Bettina falls into the pattern of subjugating herself to the needs of others, as with Anthony, who dumps Bettina as fast as possible when she finds herself pregnant.
This appears to be the lowest point this still young heroine can experience.
She loses the child and attempts suicide, but in the hospital another romantic fantasy appears to be unfolding.
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